• Le clavichord published in France
• Two clavichords by Johann Christoph Georg Schiedmayer
• Joan Benson Tribute
• Handel’s Attick
• Frances Conover Fitch Recital Review
• Le clavichord published in France
• Two clavichords by Johann Christoph Georg Schiedmayer
• Joan Benson Tribute
• Handel’s Attick
• Frances Conover Fitch Recital Review
• Four Hands at the Clavichord
• Exploring Chopin on the Clavichord
• Clavichord Events at the 2019 Boston Early Music Festival
• VIII Nordic Historical Keyboard Festival in Kuopio, Finland, May 21–29, 2019
• Meerbach Clavichord
• Fretting About Fingering: The Symbiotic Relationship Between Clavichords and Historical Keyboard Technique
• British Clavichord Society Newsletter
• The Jupiter Symphony: A Personal Experience
• Clavichord and Organ at Orgelpark
• A New “Leipzig 10” from Andreas Hermert
• Nordic Historic Keyboard Festival 2018
• Menno van Delft recording of Bach Partitas on Clavichord
• The Clavichord and the Cello
• Consistency and Inconsistency in Historical Keyboard Fingering
• An Interview with Maria Erdman
• Nordic Keyboard Festival 2017
• Katarzyna Kluczykowska, Polish Keyboardist
• Partitas by Georg Muffat
• Herbert Howells, Music for Clavichord
• Carole Cerasi in Recital and a New Clavichord by Douglas Maple
• CD Review: J.S. Bach French Suites
Played on Two Clavichords by Julian Perkins
• Teaching Clavichord Workshops
• A Visit to Weimar: Summer 2016
• Clavichord Studies at the Hochschule für Musik
Franz Liszt Weimar
• Becoming an Early Keyboard Technician: Elizabeth Harris in Boston
• What Makes It “Clavichord” (or not)?
• The Nordic Historical Keyboard Festival
May 29-June 10, 2016
• New and Old Music for Clavichord
(recording on CD)
• Susan Alexander Max: In Memoriam
• Building a Zuckermann Clavichord VI
• Exploring the Sykes Clavichord Collection, Part Two
• Research on a clavichord in Paris attributed to Johann Heinrich Silbermann
• Mersenne’s Clavichord
• Building a Clavichord
• Update on Research pertaining to Five Clavichords Attributed to Johann Heinrich Silbermann
• The Finnish Clavichord Society
• Kids and Keyboards
• C.P.E. Bach at Juilliard
• Schulenberg Recital: A C.P.E. Bach Retrospective
• Minimizing the Effects of Severe Weather on Keyboard Instruments
• Fourth Nordic Historical Keyboard Festival
• Christopher Hogwood (1941-2014)
• The Clavichord at the Juilliard School
• Introducing Historical Keyboards at the Rivers Conservatory
• The Pedal Clavichord at Oberlin
• Clavichord for Beginners
• Peter Bavington: An Appreciation
• A C.P.E Bach Tercentenary Conference at Cornell
• Clavichord Instruction in Japan
• Michigan Clavichord Society in Formation
• A Gallery of Bavington Clavichords
• A Clavichord Conference in Germany
• Observations on three clavichords attributed to Johann Heinrich Silbermann: A Builder’s Perspective
• Appreciating the Music of C.P.E. Bach Today
• A Tour of Clavichords
• Tom Beghin at Houghton Library
• The Music of Carl Philipp Emanuel Bach
• C.P.E. Bach at Harvard
• Lebedinsky to Offer Workshop at AGO Convention
• Eight is (Nearly) Enough
• Clavichord Instruction in Conservatories, Colleges, and Universities, Part II
• The Nordic Historical Keyboard Festival 2013
• Crowell Photo Gallery
• Clavichord Instruction in Conservatories, Colleges and Universities
• Bach and Sons: Clavichord and Flute
Review of Steens/Bresch CD
• Kids Encounter Historic Keyboards in Connecticut
• Nordic Historical Keyboard Festival this August
• The Nordic Historical Keyboard Festival; Kuopio, Finland, August 15-24, 2012
• The Legacy of József Gát
• A Clavichord Workshop at the Amherst Early Music Festival; Connecticut College, New London, CT, July 9-13, 2012
• Alissa Duryee
• XI International Clavichord Symposium September 3-7, 2013
Call for Papers
• BCS Recital: Ulrika Davidsson at Gore Place, Waltham
• Klavechord in Primetime: A Two-Part Belgian Clavichord Festival
• 18th Century Pedagogical Keyboard Music from Nordic Manuscripts: An introduction to a new repertoire of attractive & practical pieces
for clavichord
• Polonoise in G minor
• Menuet Variation 18. Andante
• BCS Recital: Andrus Madsen
• The 25th Anniversary Jubilee Symposium of the Nederlands Clavichord Genootschap
• A New Critical Edition of C.P.E. Bach’s Versuch
• Some Observations on the Use of the Clavichord as a Practice Instrument
• Carol lei Breckenridge in Recital
• Tsalka and Spányi at the 2011 Boston Early Music Festival Keyboard Mini-Festival
• On Making a Pedal Clavichord
• European Clavichord Tour
• Virginia Pleasants at 100!
• From One Keyboard to Another
• The New Frescobaldi Edition
• The BCS at the Boston Early Music Festival
• Sylvia Berry in Recital
• Mark Kroll in Recital
• Notes from the Editor / BCS 15th Anniversary
• My Clavichord Collection
• Ursula Dütschler in Concert
• Michael Tsalka in Concert
• Benjamin Martinez: Painter, designer, BCS webmaster
• Reminiscences from the Midwest
• Woodshedding Widor and other practical uses for a clavichord
• Tales of the Clavichord
• The Clavichords of C.P.E. Bach & Haydn
• Wilhelm Friedemann Bach’s Keyboard Music
• Ulrika Davidsson Plays Haydn
• Els Biesemans, Clavichordist, at Gore Place
• Owen Daly Ventures into Saxon Territory
• The Clavichord and Classical Russian Keyboard Repertoire
• The Clavichord at the BEMF Keyboard Mini-Festival
• Maximilian Fleischman performs for the BCS at BEMF
• The Oleskiewicz-Schulenberg Duo: Flute and Clavichord
• Playing the Clavichord in Chamber Music: Some Preliminary Considerations
• Promoting the Clavichord
• Renée Geoffrion Recital
• The Travel Clavichord
• From “On Buying a Clavichord”
• The Clavichord at BEMF
• Lebedinsky in Recital
• New Packard Institute Keyboard Volumes
• Irwin-Brandon Clavichord Recital
• Musica Antica a Magnano: Summer Courses
• An Interview with Kevin Spindler
• Bach’s Well-Tempered Clavier
• Benjamin Alard Recital
• Van Delft & Root Recital
• Composing for the Clavichord: A Short Guide
• Magnano Reminder
• Richard Kramer on C.P.E. Bach
• Keyboard Study in Amsterdam
• Figured Bass Arpeggi in the Fantasias of C.P.E. Bach
• BCS Fall Recitals
• Van Delft & Root in Concert
• Ergonomics of the Keyboard, Part Two
• Magnano Announcement
• Troeger on Early Clavichords
• Ergonomics of the keyboard
• Clavichord Tuning and Maintenance
• Joan Benson Visits Indiana University
• The BCS at the Boston Early Music Festival 2007
• The Restoration of a Swedish Fretted Clavichord
• The Harpsichord vs. the Clavichord: Historical and Polemical Perspectives
• Autograph Manuscript by Froberger Emerges, Only to Disappear Again
• C.P.E. Bach: New Keyboard Volumes Published
• The Clavichord at Eastman
• Alexander-Max Recital
• Yearsley Joined by Sykes in Spring Clavichord Recital
• Sykes & Irwin-Brandon at BCS BEMF 2007
• BCS Clavichord Day, January 20, 2007
• BCS 2007-2008 Season
• VII International Clavichord Symposium
• Haydn and the Clavichord
• Earliest Clavichord Piece Performed
• Spring 2006 BCS Recitals
• Symposium on the Clavichord, Edinburgh, 2006
• Clavichord Labeled M. J. Schramm, München
• The Clavichord at Oberlin
• René Geoffrion Residency
• C.P.E. Bach: The Complete Works
• An Interview with Lothar Bemmann
• Fleischman & Sykes Present Benefit Recital
• Renée Geoffrion in Recital at First Church, Cambridge
• Andrus Madsen at Friends Meeting House, Cambridge
• Troeger Recording of The Art of Fugue
• Turnabout is Fair Play or Repertoire Theft for Fun and Profit, Part 2
• Magnano Events
• Howard Schott (1923 – 2005)
• The Clavichord in the Education of a Keyboardist
• The Clavichord as the Key to All Other Keyboard Instruments (II)
• Clavichord Symposium at the 2005 Boston Early Music Festival
• Turnabout is Fair Play or Repertoire Theft for Fun and Profit
• Tannenberg Clavichord Symposium
• Fortino Plays at BEMF
• Two Duos at BEMF
• Lebedinsky and Sansom in Recital
• Website Additions
• The Clavichord as the Key to All Other Keyboards
• A Tannenberg Clavichord Identified
• A Very Small Dolmetsch
• The BCS at BEMF, 2005
• A Publishing Project by Sally Fortino
• Irwin-Brandon & Sykes Present Benefit Recital
• Schulenberg and Oleskiewicz in a Duo Recital
• Andrus Madsen at Spring House
• The British Clavichord Society Awards for Clavichord Composition, 2004
• Postscript: The American Competitors
• The Electro-Acoustic Clavichord
• Teaching the Clavichord to a Child
• Revisiting the 1928 Art of Recording the Clavichord: Comparisons and Comment
• Audley Green Introduces Three Composers
• An Interview with Maximilian Fleischman
• Trusting the Horse’s Mouth
• On Teaching the Clavichord to Children
• Teaching Children in Finland
• A Seventeenth Century Clavichord-Song by Johann Krieger
• The BCS Presence at BEMF
• Recital reports: Spányi, Lebedinsky, Oleskiewicz-Schulenberg
• A guide to clavichord kits
• The BCS at BEMF, 2003
• Dellal & Sykes perform songs by C.P.E. Bach
• The Fate of a Virtuoso: a Clavichord-Song by Hans Adolf Friedrich von Eschstruth
• Sally Fortino at the Shirley-Eustis House
• Comments on Kirkpatrick
• Clavichord kit building
• An Interview with Paul Irvin, Part II
• An Introduction to D.G. Türk
• Igor Kipnis 1931-2002
• A Look at Owner-Built Clavichords in Finland
• Announcement: The Hubert Clavichord Data Book
• Clavichord Day at the Boston Early Music Festival
• The Songs of C.P.E. Bach
• An Interview with Paul Irvin
• A Musical Tourist in London
• The 2001 Boston Early Music Festival and Exhibition
• From the President
• Pedal Clavichord Day
• An Important New Museum Catalogue
• Clavichord Celebration in Finland
• Interview with Pekka Vapaavuori
• Clavichord Weekend at Brandeis
• Keyboard Lessons with Arnold Dolmetsch
• The Eye of the Historical Needle
• Concert by Steve Barrell
• A Conversation with Steven Barrell
• The BCS at NEPTA
• In Review [J.S. Bach, Six Partitas]
• The BCS at NEC
• Maintenance Report, II
• An Interview with Clavichordist Joan Benson
• Lord Berners
• Report from Edinburgh
• Maintenance Report, I
• Bach on the Pedal Clavichord
• J.S. Bach, Inventions and Sinfonias, Duets
• C.P.E. Bach conference at Cornell University
• Playing Mozart on the Clavichord, Part II
• Report on the clavichord workshop at Magnano
• Three recent clavichord recordings
[C.P.E. Bach, 5 Flute Sonatas; Pekka Vapaavouri plays clavichords built by himself; C.P.E. Bach, The Solo Keyboard Music I]
• An Interview with Mark Kroll
• Playing Mozart on the Clavichord, Part I
• Clavichords in America: Johann Christoph Georg Schiedmayer, 1796,
in the collection of the Musem of Fine Arts, Boston
• John Barnes: 1928-1998
• Capturing the Gerstenberg “1982”: Recollections of the Pedal Clavichord for Chico State University
• Teacher’s Corner
• Report on the Boston Early Music Festival
• Report on the Third International Clavichord Meeting, Magnano, 1997
• CD Review: Paul Simmond’s recording of Wolf’s sonatas
• New music: Franz Seydelmann’s keyboard works
• Reconstructing Silbermann’s Cembal d’Amour
• Hugh Gough, In Memoriam
• House Music: The Beginning to the Mid-Seventeenth Century
• Clavichord Day at Mount Holyoke College
• A Letter from the President
• Clavichord Day at Brandeis
• Some Thoughts on Clavichord Repertory
• Teacher’s Corner
• House music: C.P.E. Bach
• The International Centre for Clavichord Studies at Magnano
• Letter from the President
• Report on the second international clavichord conference, Magnano, 1995
• A Collection of Reprints
• For the Newcomer: Selecting a Clavichord
• An Interview with Karin Richter
• Performance Practice from 18th C. Sources
• Clavichords in Britain, No. 1
• Review of the Proceedings of the Magnano Conference 1993