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Announcement | Japan Clavier Society

Japan Clavier Society

It is a great pleasure to announce that after six years of silence the former Japan Clavichord Society gave birth to its new incarnation, the Japan Clavier Society, on the 1st of June, 2013.

The Japan Clavier Society aims to promote productive communication among keyboard performers, builders, composers, and music lovers appreciate the importance of the clavichord throughout the course of music history. Through their activities, they hope to enrich and empower the music scene of the 21st century.

The JCS utilizes the internet as the common tool for communication among registered members. There is no fee to join the society but each member must register with his or her own name. The number of members as of October 9th is 75.

Depending on response and interest, the JCS is considering the inclusion of live concerts.

The founding coordinators of the Japan Clavier Society include Yuichi Sato, Toshihiko Umeoka, Yasushi Takahashi and Tomoko A. Miyamoto. Yuichi builds harpsichords and fortepianos, Toshihiko owns a company that handles maintenance-related matters for keyboard instruments, and Yasushi has a clavichord-building workshop. Tomoko is an organist and clavichord performer and will represent the society for the initial period.

At the moment, the JSC site is in Japanese, but they welcome messages in English. Please forward them to:
clavichord.organ@gmail.com, c/o Tomoko A. Miyamoto.

Audio | BCS Recitals ~ Haiku Player

BCS Recitals

Ulrika Davidsson  |  20 September, 2009

•  Sonata in C Major, Hob. VI:48
— Franz Joseph Haydn

[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/davidsson_haydn_1.mp3″ ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/davidsson_haydn_1.ogg” title=”Haydn Sonata”] Andante con espressione
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/davidsson_haydn_2.mp3″ ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/davidsson_haydn_2.ogg” title=”Haydn Sonata”] Rondo (presto)
David Schulenberg  |  19 April, 2009

•  Württemberg Sonata No. 1 in A minor, Wq. 49/1
— C.P.E. Bach

[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/schulenberg_wurttemberg_1.mp3″ ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/schulenberg_wurttemberg_1.ogg” title=”C.P.E. Bach Wurttemberg”] Moderato
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/schulenberg_wurttemberg_2.mp3″ ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/schulenberg_wurttemberg_2.ogg” title=”C.P.E. Bach Wurttemberg”] Andante
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/schulenberg_wurttemberg_3.mp3″ ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/schulenberg_wurttemberg_3.ogg” title=”C.P.E. Bach Wurttemberg”] Allegro assai
David Breitman  |  16 September, 2007

•  Sonata in B-flat Major, Hob. XVI:2
— Franz Joseph Haydn

[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/breitman_haydn.mp3″ ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/breitman_haydn.ogg” title=”Haydn Sonata”]Moderato, Largo, Menuet & Trio
Renée Geoffrion  |  30 October, 2005

•  Selections of works by W.A. Mozart
Sponsored by the Boston Clavichord Society
First Church, Cambridge

[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/geoffrion_mozart_k397″ ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/geoffrion_mozart_k397.ogg” title=”Mozart K397″]K. 397
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/geoffrion_mozart_k624″ ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/geoffrion_mozart_k624.ogg” title=”Mozart K624″]K. 624
David Schulenberg (clavichord) and
Mary Oleskiewicz (baroque flute) | 24 October, 2004

•  Excerpts from a recital featuring works
by C.P.E. Bach, W.F. Bach, and
J.S. Bach (attributed)

[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/schulenberg_fantasia_allegro_cpebach” ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/schulenberg_fantasia_allegro_cpebach.ogg” title=”CPE Bach Fantasia”]C.P.E. Bach Fantasia – Allegro
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/schulenberg_fantasia_largo_cpebach” ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/schulenberg_fantasia_largo_cpebach.ogg” title=”CPE Bach Fantasia”]C.P.E. Bach Fantasia – Largo

Audio | Historical Recordings ~ Haiku Player

 

 

Historical Recordings

Arnold Dolmetsch
Arnold Dolmetsch, 1931
Photo by Herbert Lambert, Bath, England, courtesy of Teri Noel Towe
Arnold Dolmetsch at the clavichord

•  Chromatic Fantasy, BWV 903 — J.S. Bach

[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/bwv903_fantasia” ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/bwv903_fantasia.ogg” title=”Bach Chromatic Fantasy”] Andante con espressione
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/bwv903_harpeggiando” ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/bwv903_harpeggiando.ogg” title=”Bach Chromatic Fantasy”] Harpeggiando
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/bwv903_recitativo” ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/bwv903_recitativo.ogg” title=”Bach Chromatic Fantasy”] Recitativo
•  Prelude and Fugue No. 15 in G Major, BWV 884,
from Book II of the Well-Tempered Clavier
— J.S. Bach
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/wtc2_15_prelude” ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/wtc2_15_prelude.ogg” title=”Bach WTC II 15″] Prelude
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/wtc2_15_fugue” ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/wtc2_15_fugue” title=”Bach WTC II 15″] Fugue
Erwin Bodky  |  1954
•  Aria Sebaldina with variations in F minor — Johann Pachelbel
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/bodky_pachelbel_aria_sebald” ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/bodky_pachelbel_aria_sebald.ogg” title=”Pachelbel Aria”]

Erwin Bodky (1896-1958) began his career in Europe. He emigrated to the United States before World War II and settled in the Boston area, where he was active performing and promoting early music. He was a professor of music at Brandeis University and was the founder of the Cambridge Society for Early Music. This recording was made on a clavichord built by Karl Maendler of Munich, which Bodky brought with him when he came to the U.S.

József Gát
•  Fantasia No. 2 in C Major, Wq. 59/6 — C.P.E. Bach
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/gat_fantasia_cpe_bach” ogg=”http://127.0.0.1:8088/wordpress/wp-content/themes/twentytwelve-bcs/audio/gat_fantasia_cpe_bach” title=”CPE Bach Fantasia”]
•  Sonata in B-flat Major, Wq. 59/3 — C.P.E. Bach
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/gat_sonata_1_cpebach” ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/gat_sonata_1_cpebach.ogg” title=”CPE Bach Sonata”] Allegro un poco
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/gat_sonata_2_cpebach” ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/gat_sonata_2_cpebach.ogg” title=”CPE Bach Sonata”] Largo
[haiku url=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/gat_sonata_3_cpebach” ogg=”http://www.bostonclavichord.org/wp-content/themes/twentytwelve-bcs/audio/gat_sonata_3_cpebach.ogg” title=”CPE Bach Sonata”] Gracioso

József Gát was born into a Jewish family in Hungary in 1913. He studied at the Academy of Music in Budapest in the 1930s. Among his teachers were Béla Bartók and Zoltán Kodály. He earned credentials in both composition and music teaching. In 1938 he received his final degree. By the time he graduated, Jewish legislation was in place that made it impossible for him to find suitable work. During World War II he went into hiding. Some 34 members of his extended family, including his parents and his first wife, died in concentration camps during World War II. After the war Gát taught the piano. In 1949 he was offered a position at the Academy of Music, by then renamed the Ferenc Liszt Academy of Music. (This is the same academy where Miklós Spányi studied in the 1980s.) In 1954 Gát published a book on piano playing that was later translated into four languages. In the 1950s he became interested in early instruments and was given a harpsichord and clavichords by the Neupert and Ammer firms. As a result he was able to introduce these instruments into Hungarian teaching and musical life. He died of a heart attack in 1967 at the age of 54. The tracks that are posted here come from a Qualiton long-playing record of works in the Kenner & Liebhaber series by C.P.E. Bach. [Thanks to Eszter Fontana, daughter of József Gát, for much of this information.]